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I didn’t arrive at play through confidence.


I arrived through a quiet descent into depression.

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Somewhere along the way, my breath got shallow and my thinking got loud.


Life became something to manage instead of inhabit.

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What saved me wasn’t answers —
it was play.


Not productive play.


Not impressive play.


The kind that loosens the breath before the brain catches up.

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Sometimes that play is serious.


Sometimes it’s strange.


Sometimes it’s unintentionally funny.

I’m drawn to people who create from the body —
musicians, especially.


I’m not musically inclined, but I recognize the way something moves through them.

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I’m inspired by high art and low art, living artists and dead ones, people who change the shape of the canvas or play publicly without asking permission.

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What they share isn’t polish.


It’s aliveness.


Sometimes that aliveness is profound.


Sometimes it’s ridiculous.


Often it’s both.

I believe life, like art, is experimental.

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I don’t trust perfection.


I trust breath.


When I stop playing, my brain tightens.


When I play, something opens — and ideas start misbehaving.

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This work isn’t about becoming creative.


It’s about remembering what happens when you stop shutting down the impulse to try.

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If something here sparks a strange little idea, the kind that feels unnecessary and delightful,
follow it.

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You don’t have to make it useful.


You don’t have to get it right.


You’re allowed to play just because it makes you happy.

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Sometimes that’s how meaning sneaks back in.


Sometimes it’s just fun.

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Both count.

SARA WALLACE

Life, like art, is experimental. 

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Copyright SARA WALLACE 2026

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