
SARA WALLACE

I didn’t arrive at play through confidence.
I arrived through a quiet descent into depression.
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Somewhere along the way, my breath got shallow and my thinking got loud.
Life became something to manage instead of inhabit.
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What saved me wasn’t answers —
it was play.
Not productive play.
Not impressive play.
The kind that loosens the breath before the brain catches up.
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Sometimes that play is serious.
Sometimes it’s strange.
Sometimes it’s unintentionally funny.
I’m drawn to people who create from the body —
musicians, especially.
I’m not musically inclined, but I recognize the way something moves through them.
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I’m inspired by high art and low art, living artists and dead ones, people who change the shape of the canvas or play publicly without asking permission.
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What they share isn’t polish.
It’s aliveness.
Sometimes that aliveness is profound.
Sometimes it’s ridiculous.
Often it’s both.
I believe life, like art, is experimental.
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I don’t trust perfection.
I trust breath.
When I stop playing, my brain tightens.
When I play, something opens — and ideas start misbehaving.
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This work isn’t about becoming creative.
It’s about remembering what happens when you stop shutting down the impulse to try.
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If something here sparks a strange little idea, the kind that feels unnecessary and delightful,
follow it.
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You don’t have to make it useful.
You don’t have to get it right.
You’re allowed to play just because it makes you happy.
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Sometimes that’s how meaning sneaks back in.
Sometimes it’s just fun.
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Both count.